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Ngorongoro Crater, Tanzania. Another pocket of Eden. My first bush glamping experience. In both of my Botswana trips, I was more genuinely camping, even though the staff pitched our tents, dug our loos and fixed our food. But the tents were actual camping tents with bed rolls, and outdoor pits for toilets, a group bucket shower outside, etc.
On this East Africa trip, which my mom generously funded, we went the glamping route. Actually, by my standards, I'd have to call it opuglamping. That's a combo of opulent and glamorous. This camp, Lemala Ngorongoro Tented Camp, just a few minutes' drive from the Lemala Crater Access Road down into the crater, is what is categorized as a "mobile camp." They actually set this whole thing up during the peak tourist season and tear it down at the end, resurrect it all the next year and tear down, etc. Which is extraordinary. The tents (nine at this camp) are larger than a typical budget hotel room, have an attached en suite bathroom, and though they are bucket showers, the one here rocked compared to the spindly one we had in Botswana ... the staff would have the warm water ready to pour into the tank within minutes of "ordering" it. Big round shower head with amazing water pressure, not just a trickle.
My mom was particularly pleased with the hot water bottles that the staff tucked into our sheets while we were eating dinner. I was particularly pleased with the all-inclusive alcohol deal! I discovered Safari beer, my favorite of African brands I've tasted, and had amarula whenever I could.
When traveling between our private tent and the dinner tent or campfire after dark, we summoned a Masai staff member to escort us with a flashlight, since there are no fences around the camp, so any wildlife could be lurking anywhere. I was curious about the Masai staff ... the Masai are the predominant indigenous tribe in the region, and typically you see them dressed in their traditional clothing. The baboon watchmen at Amboseli, for example, wore their traditional clothing. I wondered if the Masai staff, dressed in the khaki camp uniforms with name tags (each tent had a steward, and then there was the camp manager, cook, etc.) had shed their traditions and were living Western-style lives. I was so pleased to be involved in a conversation with the camp manager, Dennis (I don't know if he has a different Masai name), around the campfire in which he told us that when he goes back to his home, about three kilometers away from the camp, he is actually not allowed to enter his village wearing his uniform -- he must change into the traditional garb. He has a mud hut just like everyone else in the village. He has two wives and four kids. If you've been following me for awhile, you may remember my fascination with bride prices. I ask about them all over Africa. Dennis said he paid eight cows for one wife, and four cows plus some sheep for the second wife ... he paid less for her because his father was friends with the bride's father.
One of Dennis's children is a cow herder -- the traditional and most common occupation of the Masai men and boys. They are to be seen with their cows everywhere you go in this region. Elly says that when the Masai herders travel with their herds or take them to market in some town, they simply lie down and sleep on the ground wherever they are when darkness falls. They drink the blood of their cows for nourishment. I've seen on TV how they prick the cow's neck in a skillful way to release only as much blood as they need. Sometimes you wonder about TV portrayals, if it's of a traditional life no longer relevant, just "for show." But Elly, and also a guide in a Masai village we visited, said this is true. The cows also provide milk for the herders.
Dennis showed us his missing front bottom teeth as a sign of authenticity of being Masai. (this tooth-pulling is a similar practice to what the Himba do) I noticed these missing teeth in a lot of the Masai-dressed men we met or interacted with. Dennis told us the Masai used to leave their dead outside for nature to take care of the bodies, but now they are required to bury them. (kind of a random conversation topic) This reminded me of the Zoroastrians in Iran and their Towers of Silence that we visited.
I am always amazed at how small the world really is, and this is most often made clear when traveling. At the mobile camps, everyone eats at the same time at one big table. The people who sat next to me and my mom at dinner knew both my very small Colorado mountain town of Nederland and my mom's small hometown, the farming community of Cozad, Nebraska. This is the common tent with dining table and lounge:
So anyway, now let's go down into the crater!
Ngorongoro is the largest inactive volcanic caldera in the world -- 2,000 feet deep, and 12 miles in diameter. It's part of the larger Ngorongoro Conservation Area which includes Olduvai Gorge. It's also a UNESCO World Heritage site. You can read more about the conservation area and the important features that qualify it for World Heritage status HERE.
Because our camp was right near an access road to the crater (most lodgings are significantly further away), we were ready to head down into the crater as soon as the park opened in the pre-dawn. As we descended, we watched the sunlight creep in over the floor of the caldera.
Zebras lining up in the morning sun.
Looking down onto it from above, it's hard to imagine it is full of wildlife as large as elephants. And yet the crater is home to an abundance of animals, and is one of the few places in East Africa to see black rhinos. We saw a couple very far away, only visible with binoculars. So although not close enough to take photos, I was pleased that my mom technically got to see the highly endangered rhino on her safari.
Here we had our first encounter with very young lion cubs. One of the most darling moments of the safari. Because we were one of the first vehicles into the crater, and thanks to Elly and our driver, Hamisi, excellently positioning us, we had them to ourselves as they strolled down the road toward us. This set of lion cubs had a really particular look to them, different from all the other cubs we saw, that gave them the air of little toughie ruffians. When I posted this first pic on Facebook, I captioned it, "Look out y'all ... the boys are in the 'hood."
I was kneeling on the floor of the vehicle and leaning out the window with my camera to capture the lions at eye level. I was so focused on the little ones, I failed to notice the mother had come right up to the vehicle and brushed against it. I only realized it when she was a few inches away from me and I yoinked my camera back inside the vehicle with a little yelp of surprise. I've been very close to lions before, but never that close! My mom, meanwhile, couldn't believe it that they came so close to, even in contact with, the vehicles. It's a thrilling experience to be so close to such iconic and powerful predators.
After the lioness passed my window, I poked the camera out just far enough to grab a shot of her leaning against the car. It's all crooked because I wasn't about to lean all the way out to where I could straighten the camera and long lens!
The crater was virtually teeming with gray crowned cranes. The males were gathered into flocks of twenty or more. What a spectacular sight!
We spent a fair amount of time trying to capture them in flight, Elly and I each with our own cameras. It sounds like a really boring activity: pulling up to a flock of birds and waiting for them to fly, finger on the shutter button poised to lock down into continuous shooting mode at the first upward movement of the birds. But we were having a grand time. I didn't capture anything amazing, but here are a couple of my shots.
The kori bustard is another bird I like to run into in Africa, partly because they are just so large. I can't imagine a bird like that walking around Colorado. It's hard to get a sense of scale from the photo, but the adults are about four feet tall and they can weigh up to 40 pounds. I have never seen one in flight, but it is Africa's largest flying bird. Someday ... this is something I'm putting on my list for next safari! I also like their little ponytails.
And here is a bird that I was very excited to see: the secretary bird. I saw quite a few in the Kalahari in Botswana, but never close enough to get a good photo. This dude was all puffed up and looks a bit different from the calmed-down version. I love the spray of feathers on his head, raised up and spread out, when usually they lay down folded together so it looks like only one or two feathers. It's kind of surprising to watch it rise up and separate into multiple feathers. This guy looks like he's really about to give someone some what-for ... "Now look here!"
A tawny eagle settling in for a little bath.
Plenty of zebras and wildebeest and gazelles populate the crater, providing ample food for the lions. It sounds kind of harsh as I write that, to think of these lovely creatures as food! But I want the lions to live as well. I really love the gazelles, though, such sweet-looking creatures. Between the most common antelope species in Africa of impala, springbok, gazelles and wildebeest (yes, they're in the antelope family), I'm going to have to go with the gazelles as my favorite. Look at these darling Thomson's gazelles. It feels a little weird to see them sparring, such cute and mild-seeming critters shouldn't be locking horns and displaying aggression!
Baby zebras ... their fluffy little manes are like the sign of their babyhood -- it seems just about all baby mammals are fuzzy and fluffy as infants and toddlers. I wonder what advantage the fuzz and fluff gives to young ones besides making them so darn cute. Baby zebras also have predominantly brown stripes rather than black ones, presumably better camouflaged in the grasses where their herds graze.
Later in the morning we intercepted the lion family again, the little ones tromping doggedly through the grass. One of the lionesses laid down in the grass and the cubs all had some breakfast at last, after what must have been a long morning of trekking for such tiny little legs.
Who else did we spot? We spotted this lone spotted hyena. :-)
And many, many wildebeests.
A very funny thing happened to us the day we arrived at the conservation area. Elly had to do some paperwork at the park headquarters. So Hamisi parked the vehicle in the lot, and he and Elly went to the office. They told us not to leave windows down in the vehicle, that it was dangerous because of the baboons. There were lots of them hanging about in the lot. As you may remember from Amboseli, I'm rather afraid of them and they can be terribly intimidating with their huge canines and aggressive behavior. In spite of their cautions to us, dear Elly forgot and left his window down, but my mom and I didn't think too much of it as they walked away toward the office.
So we're hanging out, and in the blink of an eye, an adult baboon jumped through the window of the Land Cruiser into the vehicle and grabbed a bag of hard candies we had sitting on a shelf behind the driver's cab. I freaked out, "Jesus Christ!" and fumbled frantically with the door, jumped out, and started yelling at mom to get out. The baboon came in so fast, she didn't even see him! She didn't understand my actions or my panic and didn't respond to my cries (I think just out of pure confusion). I didn't have shoes on when I jumped out, and the pavement was hot and full of pokey pebbles as I tried to run around the car to open the door where the baboon jumped in to let him out. Fortunately, another man in the parking lot witnessed the scene and sped over pronto to open the door. The baboon politely exited with our bag of candies.
So now we rolled up the window, but soon it started to get really hot and stuffy in the car, so mom slid open her passenger window just a tad, and again with alarming alacrity, a baboon was at the window. He reached in and grabbed the closest thing to the window: a package of napkins lying on the same shelf as the candy. My mom tried to take the napkins away in a little tug-of-war, but I was yelling at her to close the window, close the window! She thought she could either reason with or out-muscle the baboon. But I knew neither was possible, haha. The baboon dropped the napkins when she finally closed the window. Whew! What craziness can befall you while quietly waiting in a car in Africa!
One other interesting thing was that on the way to Ngorongoro, we stopped by Hamisi's house, which was on the way from Tarangire, so he could collect some things for the next leg of our trip. I thought it was very nice of him to invite us into his home and meet his wife, who was undoubtedly caught off guard, but invited us in graciously. We stopped at a shop in his town to buy some bottled water. I saw people cooking something on the roadside and asked what it was, so Elly had me get out to look and I saw they were cooking a corn mush, similar to the posho I ate in Uganda, to put stew or potatoes on. A lady there was related somehow to Hamisi (I forget how now) and told Elly (in Swahili) she wanted to meet me and shake my hand. She was absolutely beautiful and I felt embarrassed by my windblown and bedraggled look. But it was a nice little moment to have been asked for the introduction. It's these minute moments that always end up sticking with me at the end of a trip, even of the most epic ones. Last pic: me, my mom, and our friend Hamisi.
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Well, dear readers, I’m having a difficult time deciding how to present to you the indigenous Guna village of Armila and what I witnessed there. I have no obligation to do this from the La Wayaka residency that gave me the opportunity to live there for three weeks. No obligation to anyone, but, like my time spent in the Chinese peasant village of Dang Jiashan, it’s an experience not many people have (like a lot of my wacky and volunteer experiences, haha) and that’s kind of why I started my own travel blog in the first place. I like to share what I find interesting, to educate people about pockets of the world they might not even know exist, to amuse armchair travelers, inspire others to see the world, etc. So … I'd like to tell you a bit about Armila as my energy allows. But how to organize? Well, it’s silly to spend time thinking about that when I should just dive in and start sharing. So, posts may end up being a little jumbled and random, but here we go.
Armila is home to roughly 600 inhabitants, while another 300 or more call Armila home -- they were born there, but now live outside of it in a town or a city like Panama City. They may come back for family ceremonies, elections, and to simply visit family. The village lies at the mouth of the Armila River as it empties into the Caribbean Sea at the very southern tip of the eastern side of Panama, near the Colombian Border. It lies within the Guna Yala indigenous province, an autonomous region for the native Guna Yala people. There are no facilities to accommodate tourists in the village. There are a few huts available to people officially hosted by the town, who must be along the lines of researchers or journalists or artists like ourselves, who are not just tourists but are there to learn and give something back to the community. The La Wayaka residency program has been forging a relationship with Armila for several years, and now brings four separate groups of artists over during the course of a year.
Here are a couple views of the village looking at it and the mouth of the river (coming in from the right) from the ocean. The water at the mouth is always full of people, particularly children, playing and bathing.
Coming into the village out of the river toward the ocean.
So how about a little tour around my own hut in the village. With seven artists and two guides/interpreters, our group stayed between two different buildings in the village, a short distance from each other. In mine, I had a private room, frankly I think the best one out of everybody, a great stroke of luck.
Chris (from England) had a private room, Chong and Yun (from South Korea) had a room as a couple, and one of our guides, Luz (from Argentina), had her own room.
One common space with a table and hammocks, and a bathroom … understand that indoor plumbing is a fairly nice luxury. Some homes have it, but a lot don’t. We had a toilet, a sink, and a spigot that came out of the wall about three and a half feet off the ground to serve as a shower -- a challenging shower, especially for one with arthritic knees to have to kneel under the spigot to wash their hair. (I'm referring to me, if you didn't guess!) The village actually voted to build this house specifically for La Wayaka guests, though I imagine they use it for other visitors when the residency is not there the majority of the year.
A lot of things we take for granted at home were not available in our hut, such as cups. So, below, Chris has ingeniously cut a plastic water bottle in half, using the bottom half as a cup for a little happy hour beer. (Mostly we didn't use plastic, but rather, refilled water bottles each day from a large tank of filtered water at our village host's house.)
We are drinking beer in those photos, but alcohol is only sold on Saturdays and Sundays in Armila. This was a decision made by the village council, and it keeps the residents healthy and productive during the week without draconian prohibition measures. It's a very nice balance for people to enjoy themselves on the weekend, but not fall into the clutches of alcoholism, which has been a challenge among indigenous people throughout the Americas. Each individual Guna village decides their own rules regarding the sale of alcohol. Western visitors are granted some leeway to this rule, however it would have been rude to drink in public on a weekday, so if we had beer, we drank privately inside our hut or our host's. Of the two shops near us that had coolers and carried cold beer, only one would sell to us on the weekday.
This is the other residency house and also where we all gathered for any group activities, such as craft demonstrations and informative talks by our village host, Nacho.
Villagers without plumbing have an outdoor loo for a toilet and simply bathe and wash clothes in the river. We also had a cement floor in our house, which is quite a luxury, most homes have dirt floors. Some are built of bamboo sticks, ours was built of wood planks, as you saw above.
In addition to us human roommates, we had a couple canine residents. One was a female dog who lived right next door and was probably the cause of the numerous horrifically vicious-sounding dog fights that took place in our courtyard and around the village many nights in a row while she was in heat. The first time I awoke to one of the fights taking place right outside my window, I honestly thought it sounded like a monster, and wondered what in the hell roamed the Panamanian jungles, and if it came out for human flesh at night!
My favorite canine friend lived pretty much all around the village, but particularly with the artists, often found at one of our two houses. He was an intensely loyal companion to all of us.
The first time I went into the jungle alone, he stayed with me the whole time. If I stopped to take some photos, he would sit and wait for me. Then we’d continue on together. I thought, “Oh, I’ve found a special friend!” But then I found out he accompanied other people, too, on their outings … I was admittedly a little jealous, my little buddy was not my own! I named him “Buddy,” by the way.
It wasn’t just into the jungle, but even along the beach, and he would swim the narrow channel that we had to cross at the mouth of the river to walk down a long stretch of beach looking for nesting turtles and hatching turtle eggs.
I made no secret of the fact that before departure I was really scared of what creepy jungle spiders I might encounter, because on TV shows, they are always gigantic, terrifying looking things in the jungles. Well, I only ever encountered one … and I was less afraid of it than the roommate who was home with me at the time! Instead, our insanely creepy nighttime roommates for the first week we were there were large blue crabs coming on land for mating season!
Although our house was made with wooden planks, they didn’t meet with the cement floor everywhere and the doors didn’t exactly fit their frames, so the crabs infiltrated through these weak points of the house. Scuttling across the floor, their claws snapping in the air. Aaaaaack! I was seriously creeped out, I think more so than anyone else in my house. Thank goodness, the door to my bedroom actually came all the way to the ground, so I never had a crab inside my room, but other people had them scuttling around through their clothes and under their beds. I would not have slept one wink if I had them in my room! I kept my space extremely spartan, no piles of anything on the floor where a crab could hide if he did get in.
One night near the end of their mating season, I found two of them crawling the outside wall of the house right next to my window. I tried to contain my horror as I quickly went into my room, scouted for lurking crabs, and closed my windows.
Ten minutes later I opened them. It was entirely too oppressive without air flow! I couldn’t take the stuffy heat. That was even worse than the prospect of crabs. So I sealed myself into my mosquito net and hoped for the best. Mega hurray, they never came inside. Walking around the village paths at night they were crawling around everywhere, so while I normally prefer walking at night by moon and starlight versus flashlight, I always kept one on so I wouldn’t run into a crab...
...AND so I wouldn’t step on a toad! The other nighttime companion throughout the village was big toads. Fortunately they didn’t seem interested in coming inside the house, but they were always lurking around the paths. I wished I could have seen one better in the daytime to get a photo, but they only really came out at night. If you look closely you can pick out a crab on the path in the background, top left of first photo.
And of course, there are always chickens everywhere! I love chickens. Ever since I was the chicken-chaser while making the film The African Witchfinder in Namibia, I have had an affinity for chickens; they’re far more interesting and pretty creatures than I had given them credit for most of my life.
Our house was right near the western boundary of the village, where the Armila river comes out and meets the ocean. There was just one more hut west of ours before it was all marsh and grassland. There were two horses who grazed here, which seemed so incongruous with the jungle landscape. I’m used to seeing horses on desert plains and in canyonlands and alpine forests.
Only a handful of villagers owned horses or donkeys. There are no roads of any kind to the village, only paths through the hills. So your only options for bringing in supplies from the nearest town, where the airstrip is, is by boat if the water is calm enough, to walk, or to ride a pack animal. I was given the impression that at least some horse owners would loan them out to other villagers who needed to bring in heavy supplies.
I also watched a variety of bird life in this marshy area. There was a stretch of barbed wire that went all the way down to the river, so I could never get very close to them to take good pictures. I’m not really sure what purpose the barbed wire served, to be honest, it wasn’t private land beyond it.
But beyond it, the river snakes back into the jungle and the villagers fish from their dugout canoes, or take the canoes up the river to their plots of land, called fincas, where they grow bananas and a variety of tropical fruits.
Or they harvest wood for building material. Some villagers could walk to their fincas from the village, and some had to take canoes further upriver. If they are harvesting wood, they don’t drag the trees out, rather they shape the planks in the jungle and carry those out.
I will make a lot of notes on the strength of the community spirit during this series. One example of this is that when a villager puts up a new structure or replaces a bamboo hut with a wooden plank one, the whole village comes together and does a “barn-raising.” Having spent time in several different traditional villages and regions around the planet, every time I come home from one of those places, I am struck by a profound sense of isolation which is the “gift” of capitalism. The quotation marks denote sarcasm. I’m a hermit and an introvert, so I don’t refer to isolation from the kind of social atmosphere that comforts a social butterfly. I mean that in these villages you are part of a network, like the branches of a tree, or the silks of a spider web … you are an individual, but there is a social safety net and a community that cushions you and that you likewise feel necessary to its functioning.
People don’t fall through the cracks in a community like Armila. Capitalist societies are like sieves … full of holes people fall through and nobody even notices. The capitalist ideal is to live so big you have to section yourself off into a gated community and a gated house and have the home theater system secluded in your basement and shiny car sequestered in the garage so you can enjoy them by yourself. In Armila, the people who have a TV invite their neighbors over to watch soccer matches together. If you have a horse, you let other people use it. If you’re building a house, you don’t draw up private blueprints and get city approval certificates and hire a contractor, you have a party with your neighbors and put up a house that fits into the village – neither bigger nor smaller than the rest.
Yes, you will notice I have a soapbox to stand on against the individualistic economic ideals of capitalism. Be an individual in your interests, in your heart and soul, in your creativity and kindness, not through a lack of sharing and community spirit in order to elevate yourself to your own pedestal. I manage to stay afloat in America and I play by the game rules, but I admire immensely the cultures that revolve around community. Anyhoo … I will step down from my soapbox and move on. :-)
So our house was also just a stone’s throw from the riverbank, so every morning I could watch the women come down with their laundry and children come down to stay with their mothers or play.
It was a very traditional, almost idyllic scene. The big incongruity was the music often blasting from the hut right next to ours (further inland from the river). And I mean *right* next to ours. Nearly every day, around 7:00 a.m., sometimes earlier, they would crank music through an amplifier and speakers powered by a generator, which was also loud. These weren’t like rowdy kids or anything, it was a very nice family, the man of the house was the English teacher in school. They simply loved music. There were a few other houses scattered around the village who also perpetually played music. At least I liked their play lists. They were traditional Central and South American styles of music … so while being blasted through speakers was a bit of anachronism to the women washing their laundry in their traditional blouses and jewelry, at least the music was vaguely appropriate to the region. But I think the young South Korean artists were in a little bit of audio hell, as they prefer modern electronic music, haha. But they were good sports. And wonderfully creative and artistic people, I might add. I plan to show you some of their work later in the series.
The heat and the 99% humidity were tough for me to deal with. Best thing I brought with me was my rechargeable travel fan. And fortunately, our house had a power strip (the other artist house didn’t). Powered by solar. Several years ago, the Panamanian government provided, at no cost to the villagers, every house in Armila with solar panels. Some people have also purchased gas-fueled generators, but every household has the same solar capacity -- another egalitarian aspect of the community.
So at night, the only way I could get any sleep in the heat and humidity on my wretchedly uncomfortable bed, was to open my windows and lie with the fan literally resting on my chest or on my arm, blowing onto my face. So going to bed wasn’t necessarily something I looked forward to, but waking up every morning and coming out of the sleep fog to recognize where I was, I felt very contented. I was ready to come home after three weeks, but I looked forward to each day learning and exploring in Armila.
One of the neighboring huts between us and the river.
There is another side to Armila, the ocean side. I'll tell you about that in my next post.
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I always feel like I have to apologize when I employ the word "epic" because it's so overused. But I'm just going to use it with abandon here. Welcome back to the epic landscape of Amboseli.
One of my favorite things about Amboseli turned out to be something completely unexpected: the dust devils. They are not animals, but they behaved just as organically and capriciously as any living thing. I found them fascinating. But difficult to photograph. Here are a couple meager attempts. (Notice in the second pic Kilimanjaro just poking up between the two layers of clouds.)
Dust turned out to be a constant, wholly infiltrating, and not entirely welcome, companion. We were frosted with it each day at the end of safari! However, it did give us the delightful devils and made for some nice pictures of animals kicking up the dust. So I can't really begrudge its presence.
Wildebeests battling in the dusty foreground, elephants casually walking by in the background.
Similar to warthogs, wildebeests often get a bad rap for being "ugly." I can't truthfully say I find them pretty, but, like warthogs, I find a certain charm in them ... their long faces and beards. These are blue wildebeests. There is another species, the black wildebeest, whose horns are placed differently on the head, but I have never seen these.
It happened to be wildebeest baby season in Amboseli! And baby wildebeests are just plain cute ... rompering around, finding their legs. We saw one so young, we could still see the remnants of its umbilical cord hanging from its navel.
On our last day in Amboseli, as a harbinger of sights to come later in the trip, we saw our first baby lions. Not particularly young 'uns, but cubbies nonetheless. Hanging by the side of the road as if they wanted our attention.
Well, are you ready for more elephants? Amboseli's signature animal? "Wonder Twin powers, activate!"
One of the most magnificent experiences in Amboseli, or indeed in the whole of our East Africa trip, was watching herds of elephants crest the ridge in front of the mighty Kilimanjaro. Just dots in the distance, quickly resolving into individual elephants, and before you know it, they are right there, "Hey Buster!" at the window. Truly remarkable.
One of my favorite components of the photo above is the elephant's little avian sidekick off to the left. Egrets are never intimidated by the giant creatures around them, rather they make the most of the view and transportation that such creatures can provide them. Like this little egret below. I want to caption the photo, "elephant jockey."
And then the elephants have passed, leaving me feeling so awed and blessed by their proximity.
Again each evening, the elephants approach, pass, and depart. Every evening it feels so special even though it plays out this way over and over, nothing but routine and habit on the part of the elephants, indifferent to whether or not humans witness them. We are just lucky to be a mote in their world for a short period of time.
"And now for something completely different." ... a lizard. :-) Brightly colored critter on the rocks. Look at his 5-fingered front foot ... kind of cool.
And now for some more birds. Our guide mentioned several times how Africa will turn anyone into a birder. I certainly never paid much attention to birds until I started traveling in Africa. This little guy is special to me, the pied kingfisher. I first saw him in Uganda, and then again when I purchased my first real zoom lens, my Tamron 150-600 -- the first photo I took with it in Africa, in Maun, Botswana, was of a pied kingfisher sitting in a bush beside the river meandering behind my hostel tent, the day before I left for safari in the Kalahari.
Another little fella -- a winding cisticola.
A black crake. Our guide, Elly, could listen to the bush and feel among friends. He told us that in his youth he placed third in a bird-call identification competition. This is a skill I envy, which of course requires a databank of knowledge and experience that I don't have. So I just had to be impressed with his knowledge.
The intense tawny eagle. Like any eagle, it's an admirable predator.
Lappet-faced vultures have super powerful beaks and are often the last ones to be hanging about a carcass because they can tear off the most difficult bits of skin and tendons. After my tortoise shell experience in Panama, I have a new appreciation for this skill! Too bad I didn't have a lappet-faced vulture beak handy that day, haha. It's not just the big and beautiful animals such as elephants and lions who are endangered by the hand of man, but vultures, who are an extremely important component of the African ecosystem, are also threatened. When poachers use poison, any carcass left behind (such as a de-tusked elephant or a non-target animal who ate the poison, or a lion who was poisoned by farmers/ranchers), the scavengers of it get poisoned as well. Also vulture body parts are often sold in traditional African medicine markets. I guess they are believed to have "magical" properties (I don't know what). Erik and I went into one of these stores in Johannesburg, but I don't remember if they sold real animal parts or not.
Another bird I really love in Africa is the saddle-billed stork, the tallest stork in the world. Here's something interesting I just learned about them: they don't possess the body part that most birds use to make vocalizations. Basically, they have no vocal chords or voice box. They can only make a clacking sound with their bills. Chicks, apparently, can make a hissing sound when they want food or something, but they loose that ability as adults. So I don't know what they do for mating season, as usually birds are making complicated mating calls and songs. Maybe particularly elaborate bill clacks? Google that one for me and let me know. They are also a little special to me because of when Erik and I spotted our first one in Kruger. The park was asking visitors to register any sightings, with GPS readings if you had them. So we felt a sense of excitement when we spotted one and dutifully took down the GPS coordinates. I just happened to have a GPS because I had been doing an herbivore census in Hluhluwe-iMfolozi.
A beautiful and sizeable heron.
And ostriches! I love these guys, even though they're scary to get close to. Like how baboons are. Those beaks and those feet, and ostriches don't have the sweetest disposition toward humans. But they're so fascinatingly prehistoric-looking. I love seeing them run across the plains. And I always think of the classic Fantasia number where the ostriches are doing ballet in toe shoes. Now THAT I would love to spy some day ... like, drive around some big bushes and find a bunch of them putting on a ballet. Other animals sitting around as the audience, haha.
How happy am I on safari??
Elly ... our super fun guide. He convinced my mom to crack a hard-boiled egg open on his forehead. Silly times. We're eating a box breakfast on a hilltop overlook in the Amboseli park.
Kilimanjaro in the background between us.
We leave Amboseli with a wildebeest at sunset.
please note all photos in this post may be viewed larger by opening in a new tab (right-click)
The iconic Eden of our dreams, or at least the Eden of mine, looks like a great African savanna. Wildlife wanders peacefully, nonchalantly, every animal having a place and order. It’s a place of balance, and the beauty and peace comes from that balance. And if I had to be even more specific about what it looks like, if I had to draw a postcard of Eden, if would be a savanna teeming with elephants towering over the land and more species of animals than I could imagine dotting the grasslands around them. Since I couldn’t imagine all of them, I’d draw the ones I know, like lions and zebras and giraffes, and then just a bunch of dots to represent all the other creatures. And in the background, looming above it all, a big mountain like a volcano. Turns out, what I would have drawn is basically Amboseli National Park in Kenya. I didn’t really know anything about what it looked like, but I wanted to go there because it’s renowned for its exceptional population of elephants. I learned, but only after I’d decided I wanted to go for the elephants, that Mt. Kilimanjaro is located there on the border with Tanzania.
So it was an interesting experience to literally drive into the Eden of my dreams. (Although there have never been safari vehicles in my imaginary Eden, haha.) It felt a little surreal. I came to East Africa on a private safari with my mom who, after seeing my photos from safaris in southern Africa and hearing tales from her friends and family who had gone on safari, decided this was something she wanted to do herself. So, it was my first safari in East Africa, and her first safari ever. I’ve had the pleasure of accompanying several other people on their first experiences with African wildlife, and it’s such a pleasure to see the reactions of people to their first animals sightings ... and of course it reminds me of the thrill of my own. But I have to say, my mom’s reactions were a particularly integral part of the fun of this safari. Whenever I get beside myself with excitement over seeing wildlife, I guess I know where that gene comes from, haha: My excitement is exceeded only by hers.
I got recommendations of parks to see from other acquaintances well-traveled among East African game parks. I gave these parks as an itinerary to Elly at Endless Safaris Ltd., and he designed our trip and we got the pleasure of having he himself as our guide.
So I’ve decided to title my series of posts from this trip, “Pockets of Eden,” as everywhere we went really exemplified that space in my psyche that until now I had to just imagine based on books, TV, and other peoples’ photos. Unfortunately the human sphere of sub-Saharan Africa is widely un-Edenic, shall we say, with endemic corruption and exploitation of both human and natural resources on a scale perhaps unparalleled in the rest of the world. And then on top of that there are the dark undercurrents of things like witchcraft culture. Although I’ve exposed some of that world in Namibia to you, much of the witchcraft culture exists just as powerfully and pervasively in other areas of Africa. So the Edens are reduced to pockets in the whole fabric of sub-Saharan Africa. They are threatened by poachers and habitat loss, so they are delicate and precarious Edens, pockets whose threads are so close to unraveling.
I have often said, probably even here on the blog, that if everyone could go on safari just once, there would be no wildlife crisis. There would still be pressures, overpopulation still creates those, but people would be motivated to figure out how to solve those pressures without extinguishing the wildlife. One night at dinner, my mom exclaimed the same thing. “If everyone could go on safari just once, no one would want to kill these animals!” Basically she was echoing the sage sentiment of Baba Dioum: In the end we will conserve only what we love; we will love only what we understand; and we will understand only what we are taught." Going on safari is teaching yourself and others about African wildlife. As soon as you know what the elephants do, how they protect their young, how the wildebeests fill the horizon, how the lion cubs play, how the colorful birds sing and spread their wings, you can’t help but love them. Then you will want to protect them. Trophy hunters, I can’t explain them. But they’re the minority. I recently saw a wonderful film called, “The Babushkas of Chernobyl,” in which one of the elderly ladies said, “Some people look in a puddle and see the sky, some people see themselves, and some people see nothing.” She shrugged her shoulders. “That’s the way it is.”
So I'd love to share some of Amboseli with you. I’ll split into two posts.
We spent our first night upon landing in Nairobi in the splendid Hemingway Hotel. Then headed out after breakfast to Amboseli. With, of course, some obligatory cow herd road blocks.
First glimpses of Mt. Kilimanjaro!
Now we are inside the park. For some sense of scale what it’s like to be at the foot of it, try to spot the two safari vehicles in the foreground. It's the world's tallest free-standing mountain -- in other words, it's not part of a mountain range like Everest or Denali.
So for my mom's virgin evening game drive, Elly and his driver, Harrison, parked us at an elephant crossing, where they move from their daytime grazing on the plains toward the foot of the mountain. We saw more elephants than I have ever seen together in one place. Heck, probably more than I've seen in any one entire safari. Although we didn’t keep actual count, we’re sure it was well over 200 elephants. They just kept coming and coming over the horizon, crossing the road in front of and behind our vehicle, less than a stone’s throw away from the car -- like if a particularly weak infant were throwing a pebble, she'd hit an elephant. I’ve seen a lot of elephants at close range, but not in these numbers, so I was very excited ... but my mom was completely beside herself. “I had no idea we’d see so many elephants! And that they’d be so close!” Haha, I came to find out later that she had been imagining we'd be looking through binoculars most of the time.
We stayed at Ol Tukai Lodge in a cabin that faced the mountain. Elephants often grazed in the marsh just a short distance from the cabin. And the lodge has its suite of typical hospitality staff – the waiter and waitresses, bartenders, bell hops, reception staff, etc. And then one of the most hilarious jobs I’ve seen – baboon watchmen: Masaai men who stand around the edges of the eating patios with slingshots. Everywhere else I’ve been in Africa, the vervet monkeys are pests at lodges and campgrounds. Here it is baboons! Baboons scare the heck out of me. They have enormous canines and can get really aggressive. The babies are cute, but the adults … yikes! Here my mom was going to eat a little snack on the porch of our cabin and within minutes a huge baboon had come over to get a little piece for himself. Mom beat a hasty retreat into the cabin! So we found out the staff wasn’t kidding about not taking any food away from the restaurant. And stupid me, I reinforced the veracity of the staff’s warnings a day later, not thinking about taking away a chipati back to my cabin! Ooops. Fortunately no altercation with the baboon.
Went to bed and woke up with Kilimanjaro as the dramatic backdrop. A majestic ode to the past volcanic activity of this region ... once it was a violent fiery field, and now it lays so still and serene. A friendly reminder that everything changes.
One magical morning we got up in the pre-dawn to find the waters full of pink flamingos.
Flamingos are cool and especially en masse. So a photo like this is all about color. Pink band in the blue, bracketed by yellow and green, and topped again with blue. I feel like a cake decorator or something when I say that.
But the bird I was most excited to see was the gray crowned crane!! Yes, double exclamation mark. Actually, that’s understatement. Let’s add a few more … !!! I first met these birds in Uganda and fell deeply in love with them. But Uganda was way back in 2012 and since then, my safaris have all been in southern Africa, where I have not encountered them. So in the interim, the lilac breasted roller became my favorite. But after being reunited with the gray crowned crane, I feel drawn back to my first love.
Another animal I was excited to see early on in this trip was the spotted hyena. I’ve seen a few of them in southern Africa. Usually at least one per trip. But my last safari in the Okavango, I didn’t see any, even though they are one of the most prominent features of the nighttime audio landscape anywhere in wild Africa. So I was happy to encounter them again. Here they were finishing up a meal just past dawn. Some shenanigans going on about who got the last bits.
So I was happy to see some creatures I hadn’t in awhile, but pleased as well to see the usual suspects. Like zebras! And especially when I saw a new behavior … zebra breakdancing! I saw them doing a roller derby in Moremi, Botswana. And here I saw them breakdancing. I think people generally do not give zebras enough credit for the breadth of their interests and talents.
Another usual suspect: the cape buffalo. Generally a cantankerous creature, they have their tender moments. And warthogs! A lot of people call them ugly, but I find them to have a certain charm. I love how they put their tails straight up in the air when they run, and all the little piglets running after the mum: I think they’re pretty cute.
So although the baboons were scary at our lodge, the vervets were as cute as ever. They are pesky but not scary. Well, except once at the UWEC one attacked me as I was walking home carrying leftover pizza. But as a general rule, I love watching and photographing vervets. And it always feels like, “Oh, I’m in Africa again!” every time they’re around. Though actually this was really the only place we saw much of them during our East Africa trip.
A water spigot leaking little drips of water. Vervet says, "Mine! Mine! All mine!"
But I think the single-most comforting thing, the thing that makes me sigh, “Ah, I’m in Africa again,” is the sunsets. Red and orange with the savanna dust, blanketing the entire sky, acacia trees punctuating the landscape.
And a sunset leads to a marvelous sunrise and a whole new day of excitement. Seldom do I feel so motivated to get up before dawn! But on safari I wake up full of anticipation, almost jittery from the hope of what we might see juxtaposed with the suppression of expectation, because nothing is guaranteed. But there's the knowledge that we’ll see *something* even if just one amazing animal. I feel like a kid on Christmas morning who just can’t wait to see what’s in those packages under the tree ... On safari: what is today’s dawn towing behind it?
In Amboseli it towed lots of elephants every day! Me and my mom and our guide, Elly, thrilled with the elephants just outside the vehicle:
This greenery was right near our lodge, basically in the “driveway” to the lodge. Goodbye mom and tot, we’ll see you tomorrow!
An unusual topic for a post ... I'm quite sure I haven't made an entire feature article out of souvenirs acquired on a trip! Even though I've gotten some pretty cool stuff over the years. Most notably in Iran and second notably on my two trips to northern China. But this trip was even more unique in terms of souvenir acquisition, and frankly, I never expected it to be the kind of trip or place where I would be coming home with ANY, let alone a big basketful!
I will explain the details of my time in Armila, Panama, in a future post, so for now let me just give you the bare bones. I went to this village in the indigenous province of Guna Yala in southeastern Panama, very near to the Colombian border, as a participant in an artist's residency program, La Wayaka Current. I'll plug them in every article I write about this trip, because I whole-heartedly endorse them and the experience they provide after having been in one of their programs.
I spent three weeks in this traditional village of Armila with six other artists and two "guides" who have been making friends and connections in the village for several years and they functioned as our translators also. The villagers speak their native language of Kuna and also Spanish. (the lingua franca among the artists was English)
We lived right in the middle of the community and our time was our own. But our host, "Nacho" nickname for Ignacio, provided several presentations for anyone who was interested (which was all of us), explaining their folklore and mythology, and demonstrating some of their traditional crafts, etc. After each of the craft presentations, the items were so cool and unique, I couldn't help but want some! (as with most of the other artists) Unlike the craft souvenirs I often get, a lot of these weren't just items you set around your house for display, but rather the things that the villagers themselves use and wear in daily life. So that makes them more cool in my eyes.
So I'll show you the sum of my loot and then explain each item. I can tell already this is going to end up being a lengthy post! But I hope it will maintain your attention and interest. So ... excluding my wrist wini and one necklace I forgot to include, here is the collection of my souvenirs.
Where shall I begin?! Well, let's start with the molas -- the blouses -- as they are one of the signature expressions of the traditional culture, worn by the women, and girls are to wear the colorful ones after they reach puberty. These and the winis -- the beads covering their legs and forearms -- are the hallmarks of traditional female Guna attire. They don't wear them just for show for foreigners, as few foreigners are even allowed to hang out in the village. This is really what they wear. Sorry for the stiff poses, but we couldn't really take casual photographs (I'll explain in another post), but these women kindly agreed to pose for me. They illustrate the dressing traditions of which I speak.
In the old days, molas and winis were made out of natural materials found in the jungle and sea. I could diverge into a tangent here on the wealth of such material, but I'll refrain for now. After contact with western civilization, going back to the Spanish conquest in Central America, they began incorporating more "western" materials so that now instead of seeds and dried berries, bark and sea shells, they use manufactured beads and fabric. It's still super cool and unique.
So the decorative cotton fabric "panels" on the molas are created by adding layers of fabric on top of each other, one at a time. It looks like they have cut down through the layers to expose the bottom ones, but in fact, the top layer is cut out a little bit smaller than the bottom layer to leave some visible parts of the layer underneath. The quality (and price of) a mola is judged by how many layers of fabric are used and by the fineness of the stitching that is added in designs on top. The density of the images and geometric designs has a significance in that the molas are not only clothing, but protection against evil spirits, and spirits can settle into the empty spaces, so the objective is to leave little empty space. You'll notice that the ones the Guna women are wearing are packed with lines and shapes.
You can rip off the stomach panel, the essence of the mola, and attach a new one to the sleeve/chest frame. Fellow artist, Yoon, and I both liked this turtle mola. The shirts have a mola pattern on both front and back, so the woman who made the shirt (I wish I had thought to take a picture of it as a whole) detached the molas and Yoon bought one and I bought the other. So one had been the stomach-side and one the back side. The woman standing between us is the one who made our turtle molas. Molas are only sold in Panama and Colombia, the countries where the Guna people live. They are considered a cultural heritage and the Guna have forbidden their sale outside of these two countries.
So I ended up with the turtle and then I bought another one from our host, Nacho's wife Gladys, who is a very accomplished and prolific mola-maker. Her design depicts rainbows, which was a common theme in the molas.
Now, if you know me personally, you might know how much I love bracelets. And perhaps also that jewelry is one of the most common souvenirs I buy because it doesn't require shelf space, it doesn't have to be dusted, and every time I wear it I think of my trip. So ... when I learned we could have our own wini made, I was SO down for that!
I would love to describe the scene for you inside the wini-maker's house, but I'll save that for another time, it's lengthy. Fellow artist, Judit, and I had winis made by the same craftswoman. Judit is from Spain, so she could speak to the woman in Spanish which was super helpful for me. We went together to get wrist winis made, then I returned a second time alone to get one for my ankle.
The remarkable thing about the winis is they're made from a single string wrapped around and around. It looks like a series of hoops stacked on top of one another, but it's just one string. It's created directly onto your wrist so the design is perfect and fits your arm perfectly. I picked out the colors and the design (the lady drew several on a piece of paper and said I could choose from those) for my two winis. To get the tiny beads onto the needle, the women just jiggle the needle around inside the dish of beads rather than trying to pick up the tiny beads one at a time! First pic, I took of Judit having her wini made, second photo she took of me. You get a glimpse of the interior of a typical bamboo stick hut with dirt floor.
Here are some close-ups of my designs. They each took about an hour and a half to make. USD$5 each. I felt guilty paying so little for so much time. So considering how long it took for such relatively small winis, I can only imagine the hours put into winis that extend all the way up their forearms and calves.
I didn't buy this mola, I wore it on loan, along with all the other artists who borrowed one for a couple of the cultural events we attended. They look kind of uncomfortable to wear, but it really wasn't uncomfortable at all for me. The skirts are just pieces of fabric you wrap around your waist. This pic also shows my wrist wini, and it was purely coincidental I chose a mola that matched the colors of my wini! I guess subconsciously I am drawn to them!
I found some pretty cool things while wandering the beaches on my own. Seashells, of course. I'm a compulsive seashell collector. I can't help it. I love picking them up, each one a little treasure to marvel at, it's a very meditative activity for me to walk along the beach looking for perfect ones. So I collected a bunch and then left most of them behind in our yard in Armila. But I kept ones that were unlike anything I have in my existing collection. I've never found such perfect conch shells or ones as large as the white ones at top of photo.
Something I certainly have never seen anywhere else was the remains of leatherback turtle eggs. Armila is one of the most important leatherback nesting sites in the world. Mostly you see the broken remains of ones that baby turtles hatched out of. But I found this one that appears to have crumpled down and started to decompose. When I found it, I was pretty convinced it was some kind of dried up sponge creature or something. But I was very wrong. Our guide, Luz, suspected the egg and we confirmed it with Nacho. I thought it was really interesting the lattice-like structure and how you can see through part of the outside.
And then I found on the beach this complete tortoise shell! It was sitting on the beach amid piles of other stuff ... seaweed, driftwood, and tons of trash (I'll address that in another post). I had been walking along cataloging some of the things in the trash, so I had my nose to the ground, so to speak, when I found it. It took me a moment to recognize what it was I was seeing. I turned it over to discover the fleshy animal parts were nearly 100% gone. A few very minor bits of rubbery flesh were still attached to the spinal area and around the edges. I figured if I set it in the sun, they would dry up and I could easily pull them out.
This was pretty early on in the trip, so I set it outside our hut but it didn't dry up or decompose quite as easily and completely as I thought it would. So as time was winding down, I realized I was going to have to figure out how to scrape out the last clinging bits myself. But we had no tools of any kind that would help. (Just as an example of how you couldn't just run to a store and buy something, first there is no such thing as a hardware store, you probably have to go all the way to Panama City or maybe over to Colombia to get an electric drill. There was exactly one in the entire village so people had to share it. We learned this because Yoon and Chung asked if there was one they could use for their art project.)
So what to do? I took the shell down to the river bank and washed it out really well and tried just pulling on the bits, but they were very firmly attached to the shell, no wonder they were the last to decompose. I was feeling like I was just going to have to wrap it up super tightly (because the flesh is what was still giving it a smell of death) and deal with it at home. Then I looked down in the water and saw a couple of crab claws. There are crabs all over this area, when we first arrived it was mating season and they were all over on the land, too! So crab parts are everywhere. I picked up the claws, a small one and larger one, and tested their points ... they weren't fabulously sharp, but it was the only thing even remotely pointy I had found.
So I started scraping away the inside of my tortoise shell with a crab claw at the river's edge. I felt deliciously Paleolithic. I've spent time in the past doing archaeological surface inventories of Paleolithic artifacts in Colorado, and I had a special appreciation of utilizing my natural world in this unlikely situation. If you've followed my adventures through the world, you know I've done some pretty unusual things ... have a lot of party anecdotes, "Well one time I found myself doing such and such." And then there was the time I was cleaning out a tortoise shell with a crab claw.
Some of the kids came over curious to see what I was doing. I think they thought I was very strange in my endeavor. In the end, I still couldn't get off some bits. But I remembered a fellow artist Jeffrey had brought a pair of boxcutters with him, just as part of a general artist's tool kit, not knowing what he might end up wanting to make here. I'll explain everyone's project in a future post. With only one unbroken blade left, it was in fact a crucial tool in his project, but he kindly loaned it to me to cut off the last bits. So hurray!! At home, I soaked it in some bleach water and then some vinegar water (after Googling how to preserve a tortoise shell). Then I put several coats of spray lacquer on it. Here is the underside I so neatly cleaned.
But before I got it home ... I was in a conundrum about how to safely transport it in my luggage so the outer scales wouldn't get damaged, as a few of them were already coming a little loose and peeling up. My suitcase was just a large duffle bag on wheels, so I didn't have any nice protective pockets or anything. Then, we were given another craft demonstration by a man who makes baskets and fans out of the local plants. The plant from which the traditional baskets are made is called naiwar. Both the bark and the leaf buds can be used in weaving. He learned the skill from his father, who learned from his father, and back down the line. It's a family skill. I'd actually seen him sitting outside near the river on several days making a basket. I had thought of asking if I could take a photo of what he was making, but in the end he came and demonstrated for us.
We each had the opportunity to try the weaving ourselves. I was hopelessly incompetent at it and gave up after only a few rows. Compare ... my attempt versus the masterful basket, haha.
Well, our guide Eduardo who had been translating for us, said that we could buy baskets and fans from the weaver (and there was another weaver in town who made hats). A little light bulb went on in my head and I asked if he could make a custom basket for my tortoise shell for me to take it home in. Yes! So I retrieved the shell and he measured it, and a few days later, for a whopping USD $7, got my custom basket, even with a handle!
I only had a $10 bill and he didn't have change (he doesn't have a shop or anything, you just go to his house). But it happened that the fans cost $3, so I bought one of those to make the purchase an even $10.
I still wrapped the shell in plastic and packed the rest of the basket with clothes and it made the journey home perfectly.
You might wonder what is so interesting about a wooden stake. Well, this was not something I purchased or found.
This was an extra special gift from Manuel, one of the village sahilas. The sahila are the elders in the village, and he is a medicine man and spiritual leader in the community. Over the years that the La Wayaka Current residency has been operating in Armila (12 weeks each year -- four 3-week residencies), the guides have established a particularly close relationship with Manuel. And last year he said he wanted to start doing a special ceremony for the visiting artists. I don't know if Manuel is doing this for each of the four groups that come through in a year, but he did one last year and for us this year (the first group of the year).
This particular piece of wood is from the sabwe tree. (I didn't actually confirm the spelling of that, but it sounds like "saab-way.") There are a lot of hardwood trees deep in the surrounding jungle and the Guna believe they have special spiritual properties in terms of protecting people from harm and evil spirits, etc. Manuel has become too old to forage for medicinal plants and hardwoods in the jungle himself, but he has a protégé who now collects them for Manuel and will eventually take over as a medicine man. So anyway, the apprentice collected a variety of woods and cut them into these stake shapes. I think each of us received a different type of wood, he said the name as he handed them out.
Now, to awaken the properties of every plant, be it medicinal or spiritual, the Guna medicine men sing to the plants. I think it's so lovely. When they cut them, they sing to them, and when they get ready to utilize them, they sing to them.
So his apprentice handed Manuel a bag full of these stakes and he began singing to awaken them. Shortly after he began, somebody next door started up an extremely loud machine, it sounded to me something like a chain saw or weed cutter. So there we are inside his hut trying to have this special traditional spiritual ceremony and we could hardly hear Manuel over this intrusive piece of modern equipment. It was kind of surreal, actually. I tried very hard not to be annoyed, because Manuel seemed unaffected, he just kept on singing. I didn't want to fill that sacred space with negative energy, so I just let the scene be what it was. About the time Manuel finished singing, the machine went off. Whew.
Now the apprentice handed each of us the stake and told us the tree name. Then Manuel sang again to "activate" the spiritual properties of the woods, now that they were awake. This time, it was nice and quiet as he sang the ancient songs he learned from medicine men before him. It was very cool. As in neat, not temperature. It was hot in the hut! An experience not common for foreigners to have ... my favorite thing about travel off the beaten path: those special moments.
I wondered how the other people were taking the ceremony, as I don't know them well enough to know if they would find it sacred or hokey. But everyone seemed to take it seriously. I did. Why not. I asked how to care for the wood and where to keep it, and I intend to honor the spirit in which it was given. Eduardo showed me that he carries the stake given to him last year by Manuel in his little pouch he wears everywhere.
So those are the items that are unique to Armila, to the Guna people, and special to me. The other items on the table (in the photograph of full collection) I bought from some Colombian artisans who came to Armila for the turtle festival, which I'll write about in a future post. At the bottom of the picture of my full collection: two choker necklaces and two ankle bracelets (and one necklace I forgot to include). And this little turtle carving. It looks like it's carved from stone, but it's the seed of a tree, called a tagua seed. Eduardo told me they call it "vegetable ivory" ... in other words, the plant equivalent of an elephant tusk because of how hard and ivory-like it is. If you Google tagua, Wikipedia tells us that the scientific name, Phytelephas, means elephant plant. If only the Asian cultures who prize ivory for carving would use tagua seeds instead. Anyway, I thought it was really cute and appropriate to Armila, the turtle hatching from an egg.
There were four artisans at the festival, and I bought something from three of them. Because the festival was so small, and I think we foreigners were the primary customers, and we stood out so clearly, spending time looking at the craft tables, I felt badly that I had left out one vendor, haha. So I bought one thing from him, too, just to make it even. The prices were so cheap, I could afford to splurge and buy such a cache of goodies!
So, my friends, there is an introduction to Armila, to some of the Guna tribal traditions, and to my residency, through my souvenirs. I plan to share more about all of those topics in future posts, so if they interest you, stay tuned!